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In an article in The Guardian, crime reporter Duncan Campbell points out that while the Krays are depicted as crime lords, they were actually failures as professional criminals. This is simple cinema trickery, says Viner, designed to build up audience empathy with rogues and rascals. Meanwhile, the coppers trying to nail them, embodied by 'Nipper' Read (Christopher Eccleston), are presented as hapless and even clueless. Reggie is portrayed as "a rather charming, romantic cove", who might even have gone legit but for the bad influence of his brother, but the two were really sociopathic thugs with an empire built on extortion. In the Daily Mail, Brian Viner critiques the film for committing the error of "genuflecting to its subjects just as their many acolytes did".
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Franie is depicted as "sounding common as muck and looking like a little two-bit trollop", complained her niece, also called Frances Shea, who dismisses Franie's thoughts in the movie as "from own vivid imagination". In an article in The Independent, Franie's relatives complained that they were not asked for their input by the film's writer-director Brian Helgeland. Reggie Kray's wife, Frances Shea (Franie), played by the Australian actress Emily Browning, suffered from mental problems and committed suicide aged 23, but her character provides the narration throughout the film. Meanwhile, the film makes Ronnie out to be a psychopathic lunatic, but actually he was a "very warm person and capable of great kindness" and had a very good sense of humour. "Reg shot and stabbed people for next to nothing," he points out, saying Reggie once shot a man in front of his wife and children just for taking Ronnie’s side in an argument. "It wasn’t like that at all," says Foreman. Reggie was more violent, Ronnie was kinderįoreman also had a problem with the film's depiction of Reggie as "a fun-loving, cheeky chap who fancied himself as a businessman" but got dragged down by his crazed brother. "He was gay, just like Ronnie." and the marriage was never consummated.

"It portrays him to be a Romeo who charms all the birds off the trees, and that could not be more wrong," said Foreman. So what do they have a problem with? Both Krays were gayĪ former associate of the Krays, Freddie Foreman, told The Sun that while watching Hardy on screen was "uncanny" and like "seeing the twins reincarnated", the film gets the relationship between Reggie and his wife, Frances Shea, totally wrong.

Others have criticised the film, not for its artistic qualities, but for its poetic licence. She calls it a "big, brash ode" to brass-necked chancers that is "too long and too muddled to stand among the greatest British gangland films". The film itself is less impressive, says Helen O'Hara in the Daily Telegraph.

Playing both Krays, says Lodge, is "a dazzling feat of thespian self-splicing" that elevates this "otherwise straightforward terrain". In Variety, Guy Lodge writes that "there are two good reasons to make what might otherwise seem an inessential new biopic" of the Krays and both of them "take the formidable form of Tom Hardy". Reviews of the film have been largely positive, at least about Hardy's performance. Crime reporters, family and former associates of the Krays have questioned the accuracy of the film's depiction of the brutal brothers. The new biopic Legend, starring Tom Hardy as the twin Cockney crime lords Ronnie and Reggie Kray, is due to open in UK cinemas next week, and it's already ruffling some feathers.
